A film camera app for iPhone · Coming soon

Twelve shots. No retakes. See them tomorrow.

From the RAW
No AI
12 shots a roll

Load a film and shoot a roll of twelve. Finish it and the lab takes it. About eight hours later it comes back developed from your iPhone’s RAW, like real film.

A tall concrete tower rising into a pale blue sky, shot on Bloom 400. — 01Bloom 400

Why a roll of twelve

Your phone lets you shoot forever. So nothing feels like a shot.

A gravel path curving through an autumn wood, yellow leaves overhead and brown leaves on the ground, shot on Orotone 200. — 02Orotone 200

Take 12 gives you twelve frames, one lens and no retakes.

A wet city crossing at night, shop windows and street lamps glowing on the road, shot on Halo 800. — 03Halo 800

Then you wait. The roll comes back from the lab the way film does.

Shot in Take 12 on an iPhone and developed by the app.

A low autumn sun flaring through the trees over a park lawn, people sitting on the grass in silhouette, shot on Snapdragon 100. — 04Snapdragon 100

How a roll works

Pick a camera

Each one has a single fixed lens and its own viewfinder. Choose one, then raise it to your eye.
Load a film

Flick a film into the back. It stays in until the roll is done.
Shoot twelve

Every press takes a frame and the counter moves on. No retakes, and nothing to look at yet.
Wait for the lab

Finish the roll and the lab takes it. About eight hours later your prints are back, and your phone tells you.

09The films

Eight films, made from the RAW.

Each one has its own colour, grain and glow. No AI, and no filters to fiddle with.

Orotone 200
Golden light, rich reds, soft blacks.
Bloom 400
The portrait film. Gentle skin, pale skies.
Halo 800
Cinema colour, made for night.
Marquee 800
Moody and matte, warm with red.
Mirage 1600
Inky blacks and amber lamps.
Snapdragon 100
Bold, cross-processed colour.
Noir 400
Black and white, with strong grain.
Veridis 400
Cool and clean, with true greens.

10The cameras

Meet four of the cameras.

The Silver Fox
40MM F/1.7
A rangefinder with a fast lens that keeps going after sunset.
Encore
24MM F/3.5
Slim titanium. Slide the cover and the lens steps out.
Skipping Stone
35MM F/2.8
A glossy pocket compact, all curves. Swing the cover open.
Point Blank
38MM F/2.8
The early point-and-shoot. It focuses itself, and the flash pops up.
More to find in the lab
It finds a new camera as you finish rolls.